Library Urtext Editions

Only after 1900 did this work become popular thanks to the young Pablo Casals among others, who frequently included it in his concert programs. Today it is unquestionably one of the favorite pieces among

Edited by Larry R. Todd. For cello & piano. Urtext Edition. Preface in Ger. and Eng. Contains all of Mendelssohn's works for cello and piano. It also includes reconstructions or completions of

Edited by Larry R. Todd. For cello & piano. Urtext Edition. Preface in Ger. and Eng. Contains: Sonata, Op. 45  and Sonata, Op. 48. Includes facsimiles and critical

Edited by Larry R. Todd. For cello & piano. Urtext Edition. Preface in Ger. and Eng. Contains: Variationas Concertantes, Op. 17; Romance sans Paroles, Op. 109; Assai Tranquillo;

With this one-movement Concertino, Oskar Rieding turns to already advanced students of the violin. Aside from playing in third position, it also requires a considerable degree of dexterity and mastery of

Edited by Dominik Rahmer. For French horn & piano reduction. Piano reduction by Johannes Umbreit. Urtext Edition. Preface in Ger., Fr. and Eng. Contains critical notes. Parts included for horn in E and

Edited by Eva Fox Gal & Anthony Fox. For cello & orchestra (piano reduction). Urtext Edition. Preface in Ger. and Eng. Orchestral material is available on rental from the publisher. Duration: ca.

Rieding's short concert pieces for violin and piano, written at the start of the twentieth century especially for beginners on the instrument, have maintained their place in lessons and class recitals.

Edited by Tobias Gloecker.  For double bass & orchestra.  Urtext Edition.  Edition for double bass & piano by Christoph Sobanski.  Preface in Ger. and Eng.  This edition

Following Dittersdorf and Hoffmeister, Johann Baptist Vanhal and his sole double-bass concerto add a further highlight to the classical bass literature in Henle's catalog. The virtuoso work was transmitted

Edited by Dominik Rahmer. For viola & piano. Urtext Edition. Preface in Ger., Fr. and Eng. Includes critical

For viola & piano. First Urtext Edition. Preface by Marie Cornaz in Ger., Fr. and Eng. Includes marked and unmarked

The circumstances in which these poetic Soiree Pieces (thus their original title) came into being are quite surprising. In 1949, Dresden was seized by violent political turmoil that

Carl Nielsen's Fantasy Pieces for oboe and piano were composed in 1889/90. Having just gained a position as a violinist in the Royal Danish Orchestra, Nielsen had already experienced success with

Edited by Anna Pulkkis. For violin & piano. Urtext Edition based on Series IV, Vol. 6 of the Jean Sibelius Works complete edition. Introduction and Ger. and Eng. Score, 17 p. and part.

With his first horn concerto, the merely eighteen-year-old Richard Strauss succeeded in producing a captivating masterstroke. To this day, the concerto is beloved throughout the world (not only) by horn